TaskFrame Media
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Film restoration and mastering studio

Restoring cinema's pastfor tomorrow's screens.

We restore, colorize, upscale and re-master motion-picture footage, then finish it for theatrical, broadcast and streaming release. Eighteen years of hands-on craft, from first scan to final master.

Start your project See the difference
For studios, distributors, archives and filmmakers
Digital Film Restoration◆Colorization◆Upscaling to 8K◆Re-Mastering◆Post-Production
What we do

From damaged reel to final master

Digital Film Restoration

We clean old and damaged film, frame by frame. Dust, dirt, scratches, flicker and shaky frames are removed, so your film looks clean and steady again.

Dust and dirtScratchesFlickerUnsteady frames

Colorization

We add natural colour to black and white films. Skin, clothes and surroundings get realistic colours that suit the period of the story.

Skin tonesClothingLocations

Upscaling to 8K

We make low-resolution footage sharper, cleaner and bigger, with real detail and no soft, plastic look.

SDHD or 4K
HD2K, 4K or 8K

The final size depends on your source file.

Re-Mastering

We give your older film a fresh, high-quality master. Picture and colour are corrected, and the film is prepared for cinema, TV and streaming.

Colour correctionNew masterCinema, TV and streaming

Post-Production

We finish your film after it is shot. Colour grading, picture clean-up and final checks, then delivery in the formats you need.

Colour gradingClean-upFinal delivery
Our workflow

From source to delivery

Every project follows the same clear path, from the first look at your source to the final delivery.

IN
Ingest

Your source is checked and logged: format, condition, frame rate and where it needs to go.

RESTORE
Restore

Dust, scratches, flicker and instability are cleaned in separate, controlled passes.

COLOUR
Colour

Colorization, correction and grading, shot by shot, then balanced across the film.

SCALE
Upscale

Resolution raised to HD, 2K, 4K or 8K, depending on what your source can support.

MASTER
Master

The final picture is mastered for cinema, broadcast and streaming release.

OUT
Deliver

Files go out in the formats you need, after a final quality check.

Selected frames

Before and after, frame by frame

Drag across each frame to compare. Open full screen for a closer look. Below each one, you can see exactly what was done.

Restoration after
Restoration before
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Before
After

Restoration

Original on the left, restored on the right.

Damage cleaned, colour brought back
TASK
Dust, scratches, colour cast
OUTPUT
Clean, steady master
  • Dust and dirt removed frame by frame
  • Scratches repaired without softening the picture
  • Faded colour balanced back to a natural look
  • Original grain kept, so it still feels like film
Upscaling after
Upscaling before
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Before
After

Upscaling

SD source on the left, 4K output on the right.

Standard definition to 4K
TASK
Low resolution
OUTPUT
4K (UHD)
  • Fine detail rebuilt where the source allows
  • Edges cleaned and compression noise reduced
  • Natural texture kept, with no plastic look
  • Sharp and clean on large screens
Colorization after
Colorization before
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Before
After

Colorization

Black and white original on the left, colorized on the right.

Black and white, brought to colour
TASK
Black and white footage
OUTPUT
Full colour
  • Skin tones matched to look natural
  • Clothing and locations coloured to suit the period
  • Colour kept consistent from shot to shot
  • Original contrast and grain preserved
About TaskFrame Media

Eighteen years inside the frame

The past deserves to look as good as the present.

TaskFrame Media is a film restoration and mastering studio built on one belief: great footage should never be lost to damage, age or low resolution.

For 18 years our founder has restored, upscaled, colorized and graded motion-picture footage, and knows every stage of the pipeline, from the first scan to the final master. That depth means the right technical decision at every step: repairing what distracts, keeping the grain and character that belong, and never adding what a project does not need.

Every project is handled personally, with the discipline studios expect.

Why filmmakers and archives work with us

Eighteen years of craft

Deep, hands-on experience across restoration, upscaling, colour and mastering.

One studio, source to master

No hand-offs between vendors. One team, one standard, from first scan to delivery.

Respect for your source

Original grain and character preserved. Nothing is changed that the film does not need.

Founder-led communication

You speak directly with the person doing the work, with clear updates throughout.

Have a film that deserves a second life?

Tell us about your footage and we will reply with the right approach for it.

Start your project
Start a project

Give your footage a second premiere

Tell us what you are working with and where it needs to go. We will reply with a clear plan for taking it from source to final master.

Mira-Bhayandar, Mumbai Metropolitan Region
Maharashtra, India
Working with clients worldwide
Send us a few details

The more we know, the faster we can reply with the right plan. In your email, please tell us:

  • Which services you need
  • The format and condition of your footage
  • Running time
  • Where it needs to be delivered
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