We restore, colorize, upscale and re-master motion-picture footage, then finish it for theatrical, broadcast and streaming release. Eighteen years of hands-on craft, from first scan to final master.
We clean old and damaged film, frame by frame. Dust, dirt, scratches, flicker and shaky frames are removed, so your film looks clean and steady again.
We add natural colour to black and white films. Skin, clothes and surroundings get realistic colours that suit the period of the story.
We make low-resolution footage sharper, cleaner and bigger, with real detail and no soft, plastic look.
The final size depends on your source file.
We give your older film a fresh, high-quality master. Picture and colour are corrected, and the film is prepared for cinema, TV and streaming.
We finish your film after it is shot. Colour grading, picture clean-up and final checks, then delivery in the formats you need.
Every project follows the same clear path, from the first look at your source to the final delivery.
Your source is checked and logged: format, condition, frame rate and where it needs to go.
Dust, scratches, flicker and instability are cleaned in separate, controlled passes.
Colorization, correction and grading, shot by shot, then balanced across the film.
Resolution raised to HD, 2K, 4K or 8K, depending on what your source can support.
The final picture is mastered for cinema, broadcast and streaming release.
Files go out in the formats you need, after a final quality check.
Drag across each frame to compare. Open full screen for a closer look. Below each one, you can see exactly what was done.

Original on the left, restored on the right.

SD source on the left, 4K output on the right.

Black and white original on the left, colorized on the right.
The past deserves to look as good as the present.
TaskFrame Media is a film restoration and mastering studio built on one belief: great footage should never be lost to damage, age or low resolution.
For 18 years our founder has restored, upscaled, colorized and graded motion-picture footage, and knows every stage of the pipeline, from the first scan to the final master. That depth means the right technical decision at every step: repairing what distracts, keeping the grain and character that belong, and never adding what a project does not need.
Every project is handled personally, with the discipline studios expect.
Deep, hands-on experience across restoration, upscaling, colour and mastering.
No hand-offs between vendors. One team, one standard, from first scan to delivery.
Original grain and character preserved. Nothing is changed that the film does not need.
You speak directly with the person doing the work, with clear updates throughout.
Tell us about your footage and we will reply with the right approach for it.
Tell us what you are working with and where it needs to go. We will reply with a clear plan for taking it from source to final master.